I’m in Monkee Head. We’re playing a show at AS220 on February 1st. Check us out. It’s $6, all ages, and will be a night of great local and visiting artists.
Monkee Head = A carnivalesque network of cannibal sounds from galactic jungles and gear-powered mountains, where space cowboys powwow with witch doctors. Lift-off is battery operated, but includes bacon and some mozzarella cheese.
Members: Albert 1 + Albert 2 + Albert 3 + Albert 4 + Albert 5 + Albert 6
Possible Instruments: (banjo)+(didgeridoo)+(drums)+(bass)+(saxophone)+(harmonica)+(keyboard)+(violin)+(synth/keyboards)+(flarinute)+(bongos)+(congas)+(whistles)+ )+(mbira)+(washboard)+(canjo)+(clarinet)+(slitdrum)+(chekere)+(maracas)+(acordeon)+(concertina)
Traveling, Inky Skulls, Monkee Head, Jacob the Terrible, and Switched Off Bach
Traveling started in September of 2011 by a group of three friends in Bloomington, IN. Ginger Alford, Jake Alexander, and Alan Crenshaw. Ginger has toured the country many times playing in One Reason and Good Luck, and touring with Paul Baribeau playing Bruce Springsteen covers. She’d been playing bass in Good Luck for several years and wanted to play guitar again in a band. This show part of their 3 week tour. No Idea Records released their 7″ in January.
Inky Skulls is Chris Clavin (me) and Emily Rose. We started in Bloomington, Indiana in August of 2011. We only had three weeks to get off the ground. We wrote 6 songs and recorded a demo, then did a week-long mini-tour. At first we thought we should both play ukuleles but it was too tinny and thin so now I play bass and Emily plays the uke. This is Emily’s first band. I’ve been in some bands… (Ghost Mice, The Sissies, The Devil is Electric, Operation: Cliff Clavin etc)
JACOB THE TERRIBLE IS INTERNATIONAL RECORDING SENSATION JACOB BERENDES COMBINED WITH NATIONAL PERFORMING SENSATIONS THE TERRIBLES.
“the world can be so fucked / but there’s only so much shit / you can shit / on a face”
Is his synthesizer Baroquen? No-nonsese/pro-nonsense artist, Joe DeGeorge (of Harry and the Potters), recently began a series of projects in which he performs the classical music of Johann Sebastian Bach with an unusual distortion. One such project is Switched Off Bach, which consists of a solo keyboard performance utilizing a synthesizer that is turned off, with a mic on the keyboard. The performance is completely rhythmically Baroque. The volume is up all the way. The synthesizer is just turned off.
-Event Description stolen from As220.org
This performance exemplifies my excellent techniques in art as a classically trained violinist and experience in culinary arts. This piece should be taken seriously. Performed at Freequencies, an event produced by Jessica Thompson’s DMS 215 class.